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	<title>Comments on: little things.</title>
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		<title>By: s.e.e.</title>
		<link>http://www.haggardandhalloo.com/2008/10/26/little-things/comment-page-1/#comment-1015</link>
		<dc:creator>s.e.e.</dc:creator>
		<pubDate>Wed, 29 Oct 2008 15:08:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.haggardandhalloo.com/?p=982#comment-1015</guid>
		<description>&quot;slippery&quot; was a bit too vivid and guileless for me, but this poem, while equally lurid, had more to offer.

in any case, they go well together. i appreciate the minor themes which pop up here and there on h&amp;h.</description>
		<content:encoded><![CDATA[<p>&#8220;slippery&#8221; was a bit too vivid and guileless for me, but this poem, while equally lurid, had more to offer.</p>
<p>in any case, they go well together. i appreciate the minor themes which pop up here and there on h&amp;h.</p>
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		<title>By: Quasimofo</title>
		<link>http://www.haggardandhalloo.com/2008/10/26/little-things/comment-page-1/#comment-1014</link>
		<dc:creator>Quasimofo</dc:creator>
		<pubDate>Wed, 29 Oct 2008 14:10:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.haggardandhalloo.com/?p=982#comment-1014</guid>
		<description>Which one...&#039;Slippery&#039; or &#039;That&#039;s not me&#039;?  Yeah, there can be too concrete, or too abstract, or too abstractly concrete in an abstract fashion...get your jackhammer ready!

I think i read another of sister goat&#039;s that i liked.  This one makes agile use of alliteration (same/similar beginning sounds), which i&#039;ve always liked to use too: &quot;tacked your tinseled hands to the loving tender tissues
(gray and grooved)&quot;.   Alliteration i think is used big-time by Romantics Coleridge, Wordsworth, Shelley, etc.  

Alliteration is a good sound device, and when used with rhyme (&#039;mess&#039;-&#039;dress&#039;)sprinkled, assonance, and others, makes for really powerful sound poem...so much so that sound itself can write a poem...within the context of the subject matter (in this case addressed to &#039;you&#039; a perished loved one, or lover who left, perhaps?) 

It&#039;s the &#039;little things&#039; that make life.  thx sister goat.</description>
		<content:encoded><![CDATA[<p>Which one&#8230;&#8217;Slippery&#8217; or &#8216;That&#8217;s not me&#8217;?  Yeah, there can be too concrete, or too abstract, or too abstractly concrete in an abstract fashion&#8230;get your jackhammer ready!</p>
<p>I think i read another of sister goat&#8217;s that i liked.  This one makes agile use of alliteration (same/similar beginning sounds), which i&#8217;ve always liked to use too: &#8220;tacked your tinseled hands to the loving tender tissues<br />
(gray and grooved)&#8221;.   Alliteration i think is used big-time by Romantics Coleridge, Wordsworth, Shelley, etc.  </p>
<p>Alliteration is a good sound device, and when used with rhyme (&#8216;mess&#8217;-'dress&#8217;)sprinkled, assonance, and others, makes for really powerful sound poem&#8230;so much so that sound itself can write a poem&#8230;within the context of the subject matter (in this case addressed to &#8216;you&#8217; a perished loved one, or lover who left, perhaps?) </p>
<p>It&#8217;s the &#8216;little things&#8217; that make life.  thx sister goat.</p>
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	<item>
		<title>By: s.e.e.</title>
		<link>http://www.haggardandhalloo.com/2008/10/26/little-things/comment-page-1/#comment-1011</link>
		<dc:creator>s.e.e.</dc:creator>
		<pubDate>Wed, 29 Oct 2008 00:39:20 +0000</pubDate>
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		<description>I like this far more than the poem which precedes it today.

(just thought i&#039;d say)

there is such thing as

TOO concrete.</description>
		<content:encoded><![CDATA[<p>I like this far more than the poem which precedes it today.</p>
<p>(just thought i&#8217;d say)</p>
<p>there is such thing as</p>
<p>TOO concrete.</p>
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